Yeah, this spot from one of Coca-Cola’s overseas branches (not sure which — Singapore? They’re very big on outreach over there) pushes the heartwarming button hard, and makes a certain fizzy, refreshing drink the keystone to its lesson, but at least it’s in the service of motivating better connection between fellow human beings, so I’m willing to let my stone-like heart thaw a bit if that’s what it takes. Besides, I’m 98% Coca-Cola anyway, so what am I griping about? Check the video out below.
Yeah, this spot from one of Coca-Cola’s overseas branches (not sure which — Singapore? They’re very big on outreach over there) pushes the heartwarming button hard, and makes a certain fizzy, refreshing drink the keystone to its lesson, but at least it’s in the service of motivating better connection between fellow human beings, so I’m …View full post
We have to be clear about this: There are bad movies; there are reprehensible movies; there are movies that make you consider taking out a contract on the entire DGA, just to be sure that never in the future of humankind will there be a chance that such an affront to common decency could again …View full post
You’ll hear it in the show, and I’m not going to hide it: I was kinda intimidated talking to Richard Lewis. A brilliant comedian with a lightning-fast mind, Lewis has bested interviewers with far more supple intellects than yours truly. To add to my anxiety, I went into the discussion having watched DRUNKS, the 1995 …View full post
Sometimes doing the job is reward in itself. That’s what it was like for me to talk with Greg Nicotero. From DAWN OF THE DEAD to BREAKING BAD, from ARMY OF DARKNESS to OZ THE GREAT AND POWERFUL, from HOSTEL to SIN CITY: A DAME TO KILL FOR, his vivid and creative makeup effects work …View full post
I had my concerns about The Giver, another, teen-oriented film from the Weinstein Company. After all, TWC’s previous effort in this arena was Vampire Academy, and that blatant mish-mosh of Harry Potter, Twilight, The Hunger Games, and whatever else has been luring adolescent females to the theaters didn’t go down too smoothly. Serving as definite …View full post
We have to be clear about this: There are bad movies; there are reprehensible movies; there are movies that make you consider taking out a contract on the entire DGA, just to be sure that never in the future of humankind will there be a chance that such an affront to common decency could again be committed. And then there are films that are a strangely exhilarating kind of awful, the kind that actually restore your faith in the perverse diversity of the human race, that re-instill your wonder in the awesome chaos of the universe, that, as the slogan for Temple of Bad has it, are truly a religious experience. Such a film is A TALKING CAT!?! A putative family comedy that isn’t funny (at least not in a deliberate way) and that would likely rupture any family unfortunate enough to be exposed to it, this film starts with the premise that people would listen to a cat that dispenses cryptic directives in the voice of Eric Roberts, and then throws such niceties as narrative coherence, plausible characterization, decent production values, and commonsense behavior out the window in its attempt to fill its scant eighty-five minutes with something that justifies its existence.
The Temple of Bad team of Andrea Lipinski, Orenthal V. Hawkins, Kevin Lauderdale and Dan Persons get together to try to puzzle out some method behind A TALKING CAT!?!’s madness (spoiler: they don’t succeed). Click on the player to hear the show.
Sometimes doing the job is reward in itself. That’s what it was like for me to talk with Greg Nicotero. From DAWN OF THE DEAD to BREAKING BAD, from ARMY OF DARKNESS to OZ THE GREAT AND POWERFUL, from HOSTEL to SIN CITY: A DAME TO KILL FOR, his vivid and creative makeup effects work has brought the fantastic, the grotesque, and the sometimes-just-plain-realistic to a dazzling kaleidoscope of film and TV projects.
That includes THE WALKING DEAD, the blockbuster TV series which scooped up a couple of primetime Emmy awards for Nicotero’s work in bringing the flesh-hungry walkers to gruesome… uh, life? Death? Anyway, in honor of the release of the complete fourth season on DVD and Blu-ray this Tuesday, we got some time with Greg to talk about the finer points of zombie nurturing and care. Click on the player to hear the show.
TEENAGE MUTANT NINJA TURTLES got nothing to worry about. TEENAGE MUTANT NINJA TURTLES doing quite well, thank you very much. Got the big-budget, Michael Bay treatment (he’s the producer on this one; Jonathan Liebesman directed); came in #1 at the box office this past weekend; has the almost inevitable sequel already in the works. Yup, life is good for TMNT. Unless, of course, the attending audience happened to see GUARDIANS OF THE GALAXY last week. In which case, there might have been quite a few people coming out of the theater thinking, Nice try, but it doesn’t quite cut it.
In two weeks, we’ve had two films that want nothing more than to entertain us with some adrenaline-packed, fantastic storytelling. How each goes about the task, and how successful each is, says a lot about the filmmakers, how they regard this genre, and what they think of their audience. I explore the issue a bit in my review of TEENAGE MUTANT NINJA TURTLES for Jim Freund’s HOUR OF THE WOLF. Click on the player to hear the segment, or right-click the title to download.
Welcome to August, the month when studios, having already fired off all their high-profile (not to mention high concept) summer guns, unleash what amounts to their second tier of releases, the stuff that doesn’t automatically trigger broad media attention, things with a more… “culty,” shall we say?… appeal, and things that are, let’s just say it, no durn good. However, since even the big tent-poles can now be somewhat inconsequential in their story-telling and quality (AMAZING SPIDER-MAN 2, anyone?), it’s become less surprising that a dog-day release could have been just as welcome, if not more so, in the weeks preceding.
Such is the case with GUARDIANS OF THE GALAXY, a fun space adventure based on a Marvel comic book that racked up record box office in its opening week, and earns its goodwill in a number of ways. I take a look at the film in my latest review for Jim Freund’s HOUR OF THE WOLF — click on the player to hear the segment, or right-click on the title to download.
So while Brett Ratner and Dwayne “The Rock” Johnson got their crack at HERCULES this past weekend, Renny Harlin beat ‘em to the punch — and the slash, and the blood-curdling war-cry — at the beginning of the year with THE LEGEND OF HERCULES. This is a more grounded treatment of the mythological warrior, closer in approach to GLADIATOR than JASON AND THE ARGONAUTS — although any film in which the hero can channel lightning through his sword can’t really lay much claim to historical accuracy (and all to the better in that regard, I say). It’s being released in the UK on iTunes and Blu-ray (in eye-dazzling 3D!) come August 4th. We’ve got the sponsored video for you to check out, so lace up your sandals and get ready for some mighty-thewed fun.
It’s raining sharks, hallelujah! Or maybe whether you’re making that exclamation depends on how highly refined your appreciation of irony is. Yes, SHARKNADO 2: THE SECOND ONE is here, moving the mayhem to New York (to the producers’ credit, largely the real New York), larding the proceedings with copious cameos (hallloooo Andy Dick, Perez Hilton, Al Roker, etc, etc.), and wasting no time in throwing airborne maneaters at hapless victims (why are there sharknados? Who cares — look, SHARKS!).
One of the major players trying to avoid becoming shark bait is Dante Palminteri, son of Chazz and making his major(?) film debut with this role. In this exclusive interview, he takes us behind the scenes of this landmark cinematic event, certain to be the most monumental film of Summer 2014. Okay, my ironyometer just shorted out, sorry. I’m going to go watch HARLAN COUNTY, USA to recover.
This past weekend was just chock full of magical, whimsical women breaking studious, guarded men out of their cocoons. No, not SEX TAPE — I have no idea about how that plot plays out and, besides, that’s not genre. But otherwise, for all their divergent approaches to the material, both I ORIGINS and MOOD INDIGO incorporate the same base theme. After that, of course, anything goes: I ORIGINS continues director Mike Cahill’s ongoing exploration of humanity’s interconnectedness through the tale of a dedicated, eye-obsessed scientist (Mike Cahill) having his adherence to objective reasoning challenged by the mystical outlook of an exotic model (Astrid Bergès-Frisbey) with equally exotic eyeballs; while MOOD INDIGO lets director Michel Gondry explore the artificiality of certain, idealized brands of French romance through the story of how the wacky life of an eccentric inventor (Romain Duris) is overthrown when the health of his wife (Audrey Tatou) is threatened.
Another way to distinguish these films: They aren’t equally successful in their goals. To find out how they fare, click on the player to hear my review for Jim Freund’s HOUR OF THE WOLF.