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Embrace the Po: Hong Kong action is celebrated in KUNG FU PANDA 2.

So, there, that’s one New Years resolution out of the way for me. A few months after the theatrical release of KUNG FU PANDA 2, I was able to score an interview with its director, Jennifer Yuh Nelson. With the home video release of the film (in just about every format available, including Amazon Instant Video and a Blu-ray boxed set that also includes the first KFP and a new short film, SECRETS OF THE MASTER), I felt it was time to raise some attention for this beautifully mounted, entertaining sequel.

KFP2 was, I felt, unjustly maligned in its original release. Thing is, what most critics seemed to feel was its greatest flaw — not enough focus on lovable doofus panda Po (Jack Black) — I saw as its greatest strength. Instead of the first film’s fish-out-of-water scenario, the sequel uses Po’s elevation to kung fu master to engage in a full embrace of Hong Kong action, casting him into a story that sees the panda facing off against a megalomaniacal peacock who has developed a weapon that may render martial arts obsolete: the cannon. It’s Jackie Chan enhanced with a lush, animation style — bridging over numerous formats, including 2D and shadow puppets — and highlighted with exquisitely choreographed battle scenes; exciting, funny, and a dazzling visual feast. For the love of martial arts, or pure, bravura animation, you need to see this.

Click on the player to hear my interview with Nelson.

KUNG FU PANDA 2
Trailer

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Official Website:
www.kungfupanda.com

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Spies spying on spies spying on spies: Gary Oldman explores an elaborate conspiracy in TINKER, TAILOR, SOLDIER, SPY.

Long for the heady, Cold War days of espionage, when spies were spies, ideologies were economics-based, and there wasn’t all this religious brouhaha muddying up the motivations? (Enhanced interrogation, though, was still pretty much the same thing.) Well, director Tomas Alfredson (LET THE RIGHT ONE IN) takes us back to that furtive, paranoia-laced era in TINKER, TAILOR, SOLDIER, SPY, the big-screen adaptation of John le Carré’s celebrated novel.

Set in the early 70′s and centered on the search for a mole in Britain’s MI6, otherwise known as the Circus, Alfredson rallies a stellar cast — including Gary Oldman as le Carré’s canny spy George Smiley, John Hurt, Benedict Cumberbatch, Colin Firth, and Tom Hardy — to tell a tale deception and conspiracy, where friends may not be what they seem and secret masterminds may not be as secret as you might expect. It’s dark, it’s tense, it makes James Bond look like Maxwell Smart’s less-incisive brother.

Click on the player to hear my interview with Alfredson.

TINKER, TAILOR, SOLDIER, SPY
Trailer

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Official Website:
www.tinkertailorsoldierspy.com

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Gears Set in Motion: Asa Butterfield and Chloë Grace Moretz uncover the true heart of film in HUGO.

At first glance, it doesn’t seem like there’d be much intersect between HUGO — the fanciful film based on Brian Selznick’s vividly illustrated novel, The Invention of Hugo Cabret — and director Martin Scorsese. It’s set in a Parisian railway station circa the 1930’s, so there’s little opportunity for Brooklyn accents; it’s about an orphan boy (Asa Butterfield) who tends to the clocks in that station while hiding out in its secret passages, so there’s little chance we’ll be seeing Joe Pesci kick someone’s ribs in; and it’s driving force is an automaton that contains within its works a secret about the station’s not-so-kindly toy vender, Papa Georges (Ben Kingsley), so forget about hearing any of the traditional, four-letter-word-laced dialogue this time around. It’s only when you find out what that secret is that you realize not only why Scorsese is the perfect choice for this film, but why this may be the film he’s been waiting his entire career to make.

beabetterbooktalker.com’s Andrea Lipinski joins Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons to explore how a tale about the founding father of fantastic film has stirred a legendary director to create his sweetest and most enchanting work, and how it in turn pays tribute to those who seek to instill the sense of wonder in audiences around the world.

Also: Andrea gives her take on THE MUPPETS. Plus: What’s coming in theaters.

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Turn Your Head, Cough, and Die: Jennifer Ehle battles the bio-apocalypse in CONTAGION.

Break out the Purell, Steven Soderbergh is in mainstream thriller mode and he’s decided to get under your skin — almost literally — with a tale about a virus that doesn’t know when to quit. CONTAGION follows Soderbergh’s TRAFFIC template, spinning a world-spanning drama of people trying to survive the ravages of a fast-acting and deadly disease. Caught up in the turmoil: everyday dad Matt Damon; asshole blogger Jude Law; CDC doctors Jennifer Ehle, Kate Winslet, Demetri Martin, and Marion Cotillard; and government officials Laurence Fishburne, Bryan Cranston, and Enrico Colantoni.

Join Cinefantastique Online’s Lawrence French and Dan Persons as they examine Soderbergh’s skill at applying an indie film’s spontaneous production approach and incisive worldview to the dynamic momentum of a mainstream drama, debate whether the globe-hopping scenario does a disservice to the film’s characters, and consider whether it’s advisable for mature film critics to engage in a little social research by faking coughing fits during screenings (short answer: probably not).

Also: A celebration of the 45th anniversary of STAR TREK’s debut; plus what’s coming this week in theaters (spoiler: nothing) and home video.

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Hearts and Minds are the First Casualties: Joel Torre at the hands of the invading forces in AMIGO.

Director John Sayles is delving into history again, and this time it’s a little bit of American adventurism in the early twentieth century that’s frequently glossed over in the history books: the Philippine-American War. In AMIGO, Filipino actor Joel Torre plays Rafael, the mayor of a small village who’s forced to accommodate a troop of American soldiers, an act that puts him into deadly opposition with his brother (Ronnie Lazaro), the leader of a local guerrilla group fighting the invasion. As the Americans – prime amongst them an open-minded lieutenant (Garret Dillahunt) and a gung-ho colonel (Chris Cooper) – struggle both to attain tactical advantage in their battles while winning the civilian population over to their side, there are no few parallels to recent U.S. overseas history. In this case, though, we get to see the conflict through the eyes of the invaded, and learn how people trying just to live their lives can wind up in the center of a no-win situation.

Click on the player to hear my interview with John Sayles.

AMIGO
Trailer

amigomovie.com

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Sick Transit Glori-AHHHH!: Death opens a can of whoopass in FINAL DESTINATION 5.

Okay, so they called the previous installment THE FINAL DESTINATION, as if that was going to be the last chapter of the franchise. So what? Like you never said, “This one’s the last French fry,” and then went on shoveling the spuds down your gullet like there was no tomorrow. Given the success of that 2009 entry, no one really should be surprised that we’re now looking at FINAL DESTINATION 5 — which may or may not be the actual, final encore/curtain call for the series — or that at this point the producers have honed to a fine… art, let’s say… the formula of twenty-somethings escaping an horrendous fate only to be subsequently stalked and dispatched by death in various, Rube Goldbergian ways. One plus: Even at this late date, a franchise that’s essentially a more morbid envisioning of Road Runner cartoons (and is once again rendered in appropriately poke-your-eye-out 3D) is still pretty amusing. Come join our special guest, Cashiers du Cinemart’s Mike White, as he joins Cinefantastique Online’s Dan Persons in examining the delights and the demerits of one of the most formulaic, yet oddly entertaining, of film franchises.

Also in this episode: A discussion of director Rupert Wyatt’s plans for the sequel to his hit film, RISE OF THE PLANET OF THE APES, plus what’s coming in theatrical releases and home video.

Be sure to check out Cashiers du Cinemart!

Continue reading »]]> A post-show conversation between theofantastique.com’s John W. Morehead and Cinefantastique Online’s Lawrence French and Dan Persons about the PLANET OF THE APESfranchise in general, and RISE OF THE PLANET OF THE APES in specific.

RISE OF THE PLANET OF THE APES
MoCap Comparison: “Revolution Begins”

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I've Heard of Iron Horses, but Iron Dragonflies?: Daniel Craig and Harrison Ford (way, way back there) undergo future shock in COWBOYS AND ALIENS.

It’s genre-meets-genre at your local multiplex, and not since Gene Autry faced down an advanced, subterranean civilization in PHANTOM EMPIRE has the American west faced such daunting enemies as are encountered in COWBOYS AND ALIENS. With Harrison Ford and Daniel Craig bringing steely resolve to their roles as bitter foes forced to set aside differences in order to ward off an impending invasion of vicious, and quite greedy, aliens, the film — under the direction of IRON MAN’s Jon Favreau — is an intriguing mix of western conventions and summer blockbuster thrills. Join special guest Orenthal Hawkins as he joins Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons in a debate over whether the whole is greater than the sum of its parts, as well as an exploration of why aliens always seem to be on the short-end of the evolutionary development chain, and a discussion of whether there are better ways to build secure, interplanetary vessels.

Also in capsule reviews: Larry and Dan discuss the low-budget, alien invasion film ATTACK THE BLOCK, and Dan gives his take on the experimental fantasy-drama, THE FUTURE.

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And What Did You Do This Weekend?: Chris Evans wins the war for the Allies in CAPTAIN AMERICA: THE FIRST AVENGER.

We’re betting Paramount would’ve preferred that CAPTAIN AMERICA: THE FIRST AVENGER had come out on the Memorial Day or July 4th weekends. However, martial-arts-happy animals and big-ass robots claimed those two slots, so here we are in later summer, trying to get our patriotism back for a red-white-and-blue bedecked super hero doing his bit for mom, apple pie, and gas-guzzling cars in the thick of WWII. Does director Joe Johnston’s ROCKETEER-tested period style work its magic for this final bit of table setting before next year’s THE AVENGERS? Are two hours enough time for an origin story, rescue adventure, and ultimate clash between good and evil? And where the hell are all the Nazis? Join Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons as they discuss these issues and more.

Also in this episode: Dan gives his capsule review of the moody, science-fiction drama, ANOTHER EARTH.

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Together Again for the Really, Truly Last Time: Daniel Radcliffe (left) faces down Ralph Fiennes in HARRY POTTER AND THE DEATHLY HALLOWS PART 2.

And so it comes to this: one determined, no-longer-a-boy-wizard versus one living incarnation of evil, facing off in a battle to the death. Meanwhile, millions of loving fans watch on, thinking, This is the culmination of all my dreams made real, while a smaller contingent of more critical spectators settle into their theater seats praying that, after ten years of set-up and a preceding film that wasn’t much more than an overextended tease, HARRY POTTER AND THE DEATHLY HALLOWS PART 2 just pays off for all the hours invested. Come join our special guest, Be a Better Booktalker’s Andrea Lipinski, as she joins Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons in a spirited discussion of the grand finale of the Harry Potter saga, and discover whether a mammoth budget, a dedicated director, and a talented cast lead to a worthy send-off.