Continue reading »]]> 2011: Definitely a good year for aliens. They waylaid a couple of fanboys, staged a showdown with cowboys, wrecked a tween’s film project, invaded LA, twice (must be the universal lure of In-N-Out Burger) — yessir, if you had more than four limbs and a palate for human flesh, you had a home in theaters over the past twelve months.

But the extraterrestrial infestation wasn’t really the big news in genre film for 2011. With an open couple of weeks before the final onslaught of major science-fiction, fantasy, and horror releases, Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons decided to look back over the year and pick out their favorites in ten categories*, including Best Performance, Best Use of 3D, and Best Film, among others. The selection they’ve come up with may well surprise you. (Hint: A certain film featuring big-ass robots does better than expected.)

Click on the player to hear the show.

*And yes, we acknowledge that this is a provisional list, given that such titles as TINTIN, THE DARKEST HOUR, AND MISSION: IMPOSSIBLE – GHOST PROTOCOL have yet to screen.

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Dream Come True: Emily Browning enters a strange world of erotic desire in SLEEPING BEAUTY.

Award-winning novelist Julia Leigh makes a hell of a directorial debut with her quiet fantasia, SLEEPING BEAUTY, the story of a young college student (Emily Browning) who becomes immersed in a strange world of desire when she signs on as employee of a service that drugs women and allows men — frequently much older — to do whatever they wish with the inert bodies (with the strict proviso that there be no penetration or damage).

Dark, provocative, erotic, the film inspires a multitude of responses, frequently within the same second of footage. And once you get past the tale’s elegant mise en scene and sensuous atmosphere, don’t be surprised to discover Leigh has posed some intriguing questions on love, death, and all the impulses that drive our species. Sex is 99% brain, after all.

Click on the player to hear my interview with Leigh.

SLEEPING BEAUTY
Trailer

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Official Website:
www.ifcfilms.com/films/sleeping-beauty

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Strike a Pose Before Striking Your Enemy: Henry Cavill (right) wages decorous war in IMMORTALS.

It’s a good week for lush, exquisite cinematography and vividly stylized worlds; maybe not so good a week for compelling narratives. In IMMORTALS, director Tarsem Singh Dhandwar uses Greek mythology as the raw material upon which to invest his skill with staging beautiful, beautiful actors in elaborate tableaux, all in the service of the tale of a lowly peasant (Henry Cavil) who, with the blessings of the gods (including former Apollo Luke Evans), rallies the bedraggled forces of Greece against a sadistic warlord (Mickey Rourke, and are you surprised?). Come join Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons as they admire the scenery and debate whether anything exists past the pretty facade.

Then, Larry and Dan briefly discuss the strengths and weaknesses of Lars von Trier’s elegant science fiction drama, MELANCHOLIA, in which a despondent Kirsten Dunst must cope with her own sense of inertia and the threat of a rogue planet on a collision course with Earth. Plus: What’s coming in theaters.

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Untitled (Slide) (2011)

I’m a lucky guy. I’ve wanted a reason to break out of my cramped, unkempt studio and check out Carsten Höller: Experience, the new exhibit at the New Museum that provides a comprehensive survey of the German-born artist known for his immersive, sensory-confounding — and sometimes adrenaline-pumping — installations, and along comes Air France to sponsor my coverage.

And why not? Not only is Air France the gateway to Paris, New York’s only equal as a cultural capital (I’m not saying which city is actually better, but only one of them has original Picassos and Shake Shack), but the airline tends to express the romantic thrill of travelling to their home turf (yeah, there may be grungy areas in France, but I can’t think of any, offhand) by coming up with imagery like this:

Which is just a lovely way of expressing the feeling through pure kinetics.

Giant Triple Mushrooms (2010)

Interestingly, Carsten Höller is himself no stranger to employing kinetics as part of his toolset for provoking intense, and frequently visceral, responses from his viewers. Having left a career in science in the early 90′s, Höller has translated his clinical background into works that range from the grandly whimsical — the lobby of the New Museum boasts a garden of oversized mushrooms that Lewis Carroll would have felt right at home in — to the powerfully immersive. “Viewers” rarely remain passive observers in the artist’s efforts: Included in the exhibit are such works as Experience Corridor, a series of rooms containing strange, sensory experiments (most curious: The Pinocchio Effect, in which strategic application of a medical vibrator convinces one that one’s nose is growing); Giant Psycho Tank, a sensory deprivation pool; Mirror Carousel, in which the glistening replication of a stock, amusement park thrill-ride is paradoxically trimmed to a serene pace; and — the big draw for this exhibition — Untitled (Slide), a corkscrewing tube that briskly transports daring visitors from the museum’s fourth floor down to the second, landing them into the visual bombardment of a pulsing, Höller light installation.

The works have a singularly unique way of cutting through intellectual concerns to provoke pure, emotional responses — interesting for pieces that frequently present themselves as the products of an especially fanciful laboratory. I wanted to find out more about Höller’s motivations, so in addition to getting some interesting pics of the exhibit, I also spoke with associate curator Gary Carrion-Murayari. Click on the player to hear the discussion, and check out the link to the slide show below that

CHECK OUT FULL SLIDE & VIDEO SHOW
AT THE HUFFINGTON POST

BTW: I’m not likely to be shaken from my conviction that New York was, is, and forever will be the center of the cultural universe, but if anyone wants to check out what’s doing in Paris, hit up Air France, get yourself over there, and compile the evidence that’ll make me eat my words.

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The Blank Generation Gets Filled In: NOFX's Fat Mike confronts the responsibilities of fatherhood in THE OTHER F WORD.

It’s a curious path that takes one from rock outcast to full fatherhood, yet many of the practitioners of that most confrontational of  musical forms, punk, find themselves following it. In THE OTHER F WORD, filmmakers Andrea Blaugrund Nevins and Cristan Reilly have tracked down the men who built lives upon artistic rebellion — prime amongst them their main subject, Pennywise’s Jim Lindberg, but also Rise Against’s Tim McIlrath, Blink-182′s Mark Hoppus, Red Hot Chili Pepper’s Flea, Everclear’s Art Alexakis, and Devo’s Mark Mothersbaugh, among others — and explored the effort that goes into reconciling one’s creative soul with shopping for school supplies.

The final result is a fascinating and occasionally moving exploration of men who confront not only careers that demand increasing amounts of time away from home just when it’s least advantageous, but who also have to face how their own rebellious and sometimes tortured youths might affect how they approach their responsibilities as fathers.

Click on the player to hear my interview with Nevins and Reilly.

THE OTHER F WORD
Trailer

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OFFICIAL WEBSITE
theotherfwordmovie.com

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Page to Page: Jim Henson's typewriter conjures a cinematic establishing shot in TALE OF SAND.

Lest we forget that Jim Henson was about more than Kermit and Big Bird (ahem, DARK CRYSTAL, THE STORYTELLER, and on, and on…), this year’s New York Comic Con staged a panel in which Henson archivist Karen Falk and Archaia Editor-in-Chief Stephen Christy exhibited footage from the Muppet-master’s experimental short films, commercials, and TV plays, and discussed the imminent publication of Tale of Sand, a wry, surreal, Kafkaesque graphic novel based on an unfilmed script co-written by Henson and frequent writing partner Jerry Juhl.

After the presentation, Falk and Christy granted us a few minutes to discuss Henson’s eclectic soul, how that translated into the furiously antic/ominous vision that became TALE OF SAND, and how Henson’s history is tied inextricably to that of CFQ. Click on the player to hear the interview.

Continue reading »]]> Cinefantastique hit the floor of New York Comic Con 2011 and discovered… people. Lots ‘n’ lots of people. NYCC sold out for the entire weekend, and the upshot was that even the isolated reaches of the show floor became navigational nightmares at certain points during the day. Woe betide the mortal wandering Artists Alley who had a sudden hankering for a bagful of Japanese fruit chews. The trip from one end of the show to the other took slightly longer than traversing the Silk Road.

Nevertheless, in the course of producing his scheduled interviews, Dan Persons had time to wander the floor and snap up a few random encounters and events with his handy pocket camcorder. Come join him to discover 3D printers, pickled punks, Romanian comics, redemption for the Black Eyed Peas, and much, much more, including special guest appearances by cartoonist Bill Plympton and Troma’s own Lloyd Kaufman.

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Standing for Justice: Andy Lau confronts the intangible in DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME.

Cause for celebration, indeed: Hong Kong director Tsui Hark is back, and if anything, his vision has gotten more crazily energetic and eye-dazzling in his latest effort. In DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME, Andy Lau plays actual historical figure Dee Renjie, a disgraced judge who’s compelled to confront the undeniably fantastic when he’s sprung from prison by embattled Empress Wu to find out who is exterminating her entourage by having them burst spontaneously into flame. As can be expected from Hark, the film is a treasure trove of dizzyingly exquisite fight sequences, backed up by a witty and intelligent story line that has Dee on the one hand deploying science against the forces of superstition and on the other sees him in conflict with an empress ruthlessly determined to maintain her power. It’s got action, it’s got spectacle, it’s got a deer who can kick ass. What else could you ask for?

Click on the player to hear my interview with Hark.

DETECTIVE DEE AND THE MYSTERY
OF THE PHANTOM FLAME
Trailer

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DETECTIVE DEE Official Website

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