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Don't Go in the... Never Mind: Sarah Paxton (left) and Pat Healy probe where novice ghost hunters shouldn't probe in THE INNKEEPERS.

There are compelling reasons why, when traveling, one should skip the chain lodgings and stay at one of America’s classic hotels. There’s the friendly and courteous staff, the opportunity to experience a true piece of Americana, and the chance that you’ll encounter a spectral manifestation that wants to rip your immortal soul from your still-screaming body. (Disadvantage: no wi-fi.) In THE INNKEEPERS, a pair of slackers (Sarah Paxton and Pat Healy) are put in charge of an aging hotel in its last days and — when not attending to the needs of such guests as Kelly McGillis as a sympathetic psychic and George Riddle as Quiet Creepy Guy — decide to play GHOST HUNTERS by investigating the myriad tales of hauntings that the institution has acquired. To quote a classic, American aphorism: “Big mistake.”

With films such as THE ROOST and THE HOUSE OF THE DEVIL, director Ti West has managed to deliver old-school, atmospheric chills on a limited budget, and he’s pulled the same feat off with THE INNKEEPERS, creating a ghost tale that’s both witty and scary, with a valuable lesson for us all (i.e. continental breakfast shouldn’t be the only consideration when choosing a hotel). Click on the player to hear my interview with him.

THE INNKEEPERS
Trailer

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Official Website
www.magnetreleasing.com/theinnkeepers

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We Blame Slytherin: Daniel Radcliffe unearths the secret of a hostile spirit in THE WOMAN IN BLACK.

The balmy days of February have triggered an uncommon sense of renewal, nowhere more so than in the cinema, where, after a customarily dismal January (we’re looking at you, THE DEVIL INSIDE), there now come glimmers of hope in the entertaining and atmospheric THE WOMAN IN BLACK. Featuring a post-Potter Daniel Radcliffe as an emotionally ravaged lawyer trying to redeem his career in the British countryside, instead discovering a village where children spontaneously take their lives and an isolated mansion houses a malign spirit and a terrible secret, the film’s a refreshing invocation of the classic ghost story, all the better for coming from British horror-home Hammer.

beabetterbooktalker.com’s Andrea Lipinski joins Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons to stir up the spirits and measure the film’s ability to generate scares and creeps. Plus: The gang delivers capsule reviews of CHRONICLE, THE INNKEEPERS, and KILL LIST. Also: What’s coming in theaters and home video.

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Descending Into the Depths: Neil Maskell (left) and Michael Smiley get in over their heads in KILL LIST.

What starts out as common, garden-variety crime thriller turns… bizarre, and then frightening, in director Ben Wheatley’s twisty new film, KILL LIST. The tale of middle class hit-man Jay (Neil Maskell), who with colleague Gal (Michael Smiley) goes out for one more job and discovers blood oaths, strange rites, and disturbingly grateful targets have been thrown into the bargain, the film allows Wheatley to hook the rough-edged shooting style he explored in his debut effort, DOWN TERRACE, to a world that has room for both examinations of a tempestuous home life and the graphic shocks of classic horror. Think IN BRUGES meets THE WICKER MAN, then forget about all that and prepare to get righteously freaked-out.

Click on the player to hear my interview with Wheatley.

UNFORTUNATE TECHNICAL NOTE: Our usual podcast host has started giving us agita, apparently because we are just that popular, so we’ve temporarily switched to another service and had to downgrade our audio quality as a result. We’ll get this snag patched up and be back to the rich, beautiful sound you expect from MMP as soon as possible.

KILL LIST
Trailer

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Facebook Page
www.facebook.com/KillList

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You May Feel a Burning Sensation: Brittania Nicol discovers the secrets of THE WICKER TREE.

A story as relevant as yesterday’s headlines, or too late a tale? Some thirty years ago, Cinefantastique hailed Robin Hardy’s THE WICKER MAN as “the CITIZEN KANE of horror,” lauding the Anthony Shaffer-scripted story of a god-fearing police detective trying  to solve a mystery within a community of Scottish pagans for its bold eroticism and cunning narrative. Now, Hardy has taken his own novel, Cowboys for Christ, and brought it to the screen as THE WICKER TREE, billing it as a “reimagining” of his original triumph.

Cinefantastique Online’s Steve Biodrowski and Dan Persons take a look at this tale of a couple of present-day evangelical missionaries who find they may have bitten off more than can chew in trying to convert the “heathens” of a Scottish village, and discuss how the film fares in its three-plus decade transition. Plus: Oscar 2012 nominations, and what’s coming to theaters and home video.

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Continue reading »]]> In the spirit of international cooperation comes INTRUDERS, a new film that kicks it old school in its tale about two children — a boy and a girl — in two, different countries who find themselves menaced by… ssssssomething… that visits them in the middle of the night with intentions that extend well beyond just tucking them in.

Clive Owen and Carice Van Houten star as the girl’s parents, Pilar Lopez De Ayala as the boy’s, and the project was helmed by Juan Carlos Fresnadillo, whose previous efforts include the well-regarded zombie sequel 28 WEEKS LATER. Hey, we’re just glad this isn’t another entry in the well-worn “found footage” genre — we’re so sick of wildly shaking cameras that we’ve started popping Dramamine before entering the theater.

The film’s opening in UK on the 27th and will be getting to the US in April. Meantime, get your creep on with the trailer below.

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Ghost Protocol in the Machine: Tom Cruise (falling) shows Michael Nyqvist (demonstrating the wrong way to order at the McDonald's drive-thru) how to keep things moving in MISSION: IMPOSSIBLE - GHOST PROTOCOL.

What says Christmas Spirit more than nuclear holocaust, life-or-death chases in an automated car park, and scaling the world’s tallest building? Maybe that’s why Paramount scheduled the release of MISSION: IMPOSSIBLE – GHOST PROTOCOL for this most festive of seasons. Or maybe it’s that it’s just plain fun. Stripping the IM force down to leader Tom Cruise — aided and abetted by Paula Patton, Simon Pegg and new recruit Jeremy Renner — and paring the story down to a struggle to prevent a megalomaniacal terrorist from triggering WWIII,  the film (under the direction of animation vet Brad Bird, here making his live-action debut) unpacks some of the baggage accrued in the previous installments to become a lighter, wittier exercise in epic action.

Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons discuss their reaction to all the chaos, exploring how director Bird fares in his first foray in the tangible world, considering Tom Cruise’s future in the franchise and evaluating whether the IMAX format makes the Impossible Missions seem even… uh… impossibler.

Also: Larry delivers his verdict on THE GIRL WITH THE DRAGON TATTOO and Steve gives his reaction to the THE DARK KNIGHT RISES prologue screened at MI’s IMAX venues.

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A Break for Books: Tintin (Jamie Bell) pauses amidst all the action in THE ADVENTURES OF TINTIN.

Time to close the year off with some rip-roarin’ adventure, so why not throw in a little, continental flair in the process? Steven Spielberg has decided to take that route, and make his debut in the animation field, with THE ADVENTURES OF TINTIN, a cg-animated film using AVATAR’s performance-capture process and based on the charmingly audacious comic books by the artist Hergé. Starting with a mysterious message found in a model boat and spinning out into grandiose tapestry of action that includes pirate raids, fictional Arabian kingdoms, motorcycle chases, and talented opera singers, the story takes the classic boy reporter/detective (performed and voiced by Jamie Bell) and gives him the kind of adrenaline-filled exploits that only Spielberg can orchestrate.

Click on the player to hear the press conference featuring Steven Spielberg (who fields most of the questions), producer Kathleen Kennedy, stars Bell and Nick Frost, and WETA effects master Joe Letteri.

THE ADVENTURES OF TINTIN
Trailer

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Official Website:
www.tintin.com

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Wagner Moura in ELITE SQUAD: THE ENEMY WITHIN.

Like DIRTY HARRY with a social conscience, the Brazilian film ELITE SQUAD: THE ENEMY WITHIN manages to kick all kinds of righteous ass while delving into the pernicious effect of corruption on those allegedly pledged with looking after the public welfare. The follow-up to 2007′s ELITE SQUAD, ENEMY WITHIN picks up Rio de Janeiro’s hard-line Special Operations Captain Nascimento as he’s kicked upstairs to become the city’s Sub-Secretary of Intelligence and committed to upending the city’s cycle of crime by waging all-out war on the gangs who rule the slums.  Problem is: the war is too successful, and Nascimento finds his victory has released a wave of official corruption that puts him into conflict with his own colleagues.

Director José Padilha built his reputation with the incredible hostage documentary BUS 174, and here demonstrates that the skills that turned news footage into riveting drama are well suited to telling a fictional story that delves into the dark corners of Brazilian society while keeping the audience riveted with intense action.

Click on the player to hear my conversation with Padilha.

ELITE SQUAD: THE ENEMY WITHIN
Trailer

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Not Your Average Fix'r Up'r: Daniel Craig stands at the precipice of his fracturing sanity in DREAM HOUSE.

Winner of this year’s Ironic Film Title ribbon (SARAH PALIN: THE UNDEFEATED was disqualified for failure to complete a term — talk about ironic) DREAM HOUSE marks director Jim Sheridan’s attempt to explore the world of the psychological thriller, with a few surprising twists thrown in along the way. The tale of man whose family life begins to crumble with the revelation that the beautiful house they’ve just moved into was the scene of an horrific crime, the film has the atmosphere, has affecting performances by stars Daniel Craig and Rachel Weisz, — backed up by Naomi Watts as a sympathetic neighbor — and lays its story out in a way that casts events already witnessed in new lights as secrets are progressively revealed, but does its old-school approach still have relevance? Join Cinefantastique Online’s Steve Biodrowski and Dan Persons as they root around the cellar of a beloved genre and try to sweep away the cobwebs to find what works and what doesn’t in this latest attempt to draw chills from the infinite convolutions of the human mind.

Also: a discussion of the announced short-list of directors for Leonardo DiCaprio’s upcoming TWILIGHT ZONE project; and what’s coming in theatrical and home video releases.

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Turn Your Head, Cough, and Die: Jennifer Ehle battles the bio-apocalypse in CONTAGION.

Break out the Purell, Steven Soderbergh is in mainstream thriller mode and he’s decided to get under your skin — almost literally — with a tale about a virus that doesn’t know when to quit. CONTAGION follows Soderbergh’s TRAFFIC template, spinning a world-spanning drama of people trying to survive the ravages of a fast-acting and deadly disease. Caught up in the turmoil: everyday dad Matt Damon; asshole blogger Jude Law; CDC doctors Jennifer Ehle, Kate Winslet, Demetri Martin, and Marion Cotillard; and government officials Laurence Fishburne, Bryan Cranston, and Enrico Colantoni.

Join Cinefantastique Online’s Lawrence French and Dan Persons as they examine Soderbergh’s skill at applying an indie film’s spontaneous production approach and incisive worldview to the dynamic momentum of a mainstream drama, debate whether the globe-hopping scenario does a disservice to the film’s characters, and consider whether it’s advisable for mature film critics to engage in a little social research by faking coughing fits during screenings (short answer: probably not).

Also: A celebration of the 45th anniversary of STAR TREK’s debut; plus what’s coming this week in theaters (spoiler: nothing) and home video.

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